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Tracktion 4 Reference Manual
130
The other options available from the click track button allow you to set the click to your taste. In
particular, you may want to check the pre-record count-in length value, as this denes the amount of
time click track plays before recording starts. More information on working with the click-track can be
found in Chapter Six.
OK, you’re ready to begin recording. Section Three of this chapter explains the various record
modes available to you, and how to use them.
5.3 : The Recording Modes Explained
Normal Recording Mode
When Tracktion is in the normal recording mode, recording will start as soon as playback is activated.
You can position the play-head cursor at any point before playback starts, so you can use this to start
recording at a specied point.
Generally the normal recording mode is best suited to jamming sessions when there is no existing
song structure, or you want to be able to record without dened start and stop points.
Recording in this mode is simply a case of setting up and arming an input as described in the earlier
sections of this chapter, and when ready, clicking the record button in the transport section. When you
are ready to stop recording, you can either click the record button again, or you can click the stop but-
ton.
If you select the recording input device, you can customise how Tracktion deals with existing clips
that would be overwritten by the recording. MIDI inputs have an option in the device properties called
action, and audio inputs have a corresponding option in the device properties called record mode.
Despite the different names, both of the options are essentially the same. You can opt to have Track-
tion either overlay existing clips with the newly recorded material, or replace existing clips with newly
recorded material.
MIDI inputs have an additional option that allows you to merge the recorded material into existing
clips, which allows you to build up a complex arrangement over successive loops, or takes.
The nal option, which is available to both MIDI and audio input devices, is to not make a recording
at all. This option is discussed in later in this section.
To record in normal mode, simply:
• Enable or disable the loop option in the transport section.
• Disable the punch option in the transport section.
• Select the input device and ensure that the recording mode/action is set to either overlay clips,
replace clips, or merge clips.
• Place the play-head cursor at some point before the location at which you wish to start recording.
• Press the record button in the transport section.
Tip: If you wish to use Tracktion’s safe record mode, you can activate it from the options button
menu. When safe recording is active, you will need to use a special key-combination to halt recording.
This protects you from accidentally knocking the SPACEBAR key, or clicking the stop/record buttons
and terminating a recording session. The key-combintaion needed to stop recording will be shown on
the screen while recording is in progress.
- REFERENCE MANUAL 1
- Tracktion 4 Reference Manual 2
- Table of Contents 3
- Introduction 5
- Figure I.2.1 6
- Sample Resolution (Bit Depth) 7
- Introduction 3: MIDI Basics 9
- Chapter 1: The Projects Page 11
- 1.1 : An Overview 12
- Figure 1.1.2 13
- Figure 1.1.3 13
- Figure 1.1.4 14
- Figure 1.2.1 16
- Figure 1.2.2 16
- Figure 1.2.3 17
- Figure 1.2.5 18
- Figure 1.2.4 18
- 1.3 : The Items List 19
- 1.4 : The Control Panel 20
- Figure 1.4.3 21
- Figure 1.4.4 22
- 1.5 : The Clipboard Panel 23
- 1.6 : The Search Tool 24
- 1.7 : Template Projects 25
- 1.8 : Edit Properties 26
- Figure 1.8.3 27
- 1.9 : Audio Item Properties 28
- Figure 1.9.3 29
- The Basic Editing Options 30
- Figure 1.9.6 31
- 1.10 : MIDI Item Properties 32
- 1.11 : Movie Item Properties 33
- Chapter 2: The Settings Page 34
- 2.1 : Audio I/O 35
- PC And ASIO Drivers 37
- Mac And CoreAudio Drivers 37
- Input Device Properties 37
- Figure 2.1.3 39
- Output Device Properties 40
- 2.2 : MIDI I/O 41
- MIDI Input Device Properties 42
- MIDI Output Device Properties 43
- 2.3 : User Interface 44
- Using The Colour Editor 47
- Figure 2.3.3 48
- 2.4 : Plug-Ins 49
- 2.5 : Loop Settings 50
- 2.6 : File Settings 52
- 2.7 : Key-Mappings 53
- 2.8 : Control Surfaces 54
- Custom Controllers 55
- Figure 2.8.3 56
- Figure 2.8.4 56
- Figure 2.8.5 56
- Figure 2.8.6 57
- Figure 2.8.7 58
- Chapter 3: The Edit Page 59
- 3.1 : An Overview 60
- Figure 3.1.3 61
- Figure 3.1.4 61
- Figure 3.1.5 62
- Figure 3.1.6 62
- Figure 3.1.7 62
- Figure 3.1.8 63
- Figure 3.1.9 63
- 3.2 : The Quick Find Panel 64
- Figure 3.2.4 65
- The Loops Mode 66
- The Markers Mode 67
- The Clipboard Mode 67
- 3.3 : Working With Tracks 68
- Folder Tracks 69
- Figure 3.3.3 70
- Figure 3.3.4 70
- Figure 3.3.5 71
- Figure 3.3.6 71
- Figure 3.3.7 72
- Figure 3.3.8 72
- The Track Properties 73
- Figure 3.3.10 74
- Figure 3.3.11 74
- Folder Track Properties 75
- 3.4 : The Filter Section 76
- The Right-Click Options 77
- The Mute / Solo Buttons 78
- The Volume / Pan Filter 79
- Figure 3.4.8 80
- The Level Meter Filter 81
- The 4-Band Equaliser 82
- The Tracktion Sampler 83
- The Aux Send / Return Filters 85
- The ReWire Filter 86
- Figure 3.4.22 87
- 3.5 : The Control Section 88
- Figure 3.5.3Figure 3.5.2 90
- 3.6 : The Transport Section 91
- The Master Filter Section 92
- Figure 3.6.2 93
- Figure 3.6.3 93
- Chapter 4: Working With Clips 95
- 4.1 : An Overview Clips 96
- The Clip Tools 97
- 4.2 : Working With Clips 98
- Selecting Multiple Clips 100
- 4.3 : MIDI and MIDI Clips 101
- Figure 4.3.2 102
- Figure 4.3.3 102
- Figure 4.3.4 102
- Figure 4.3.5 103
- Figure 4.3.8 104
- Figure 4.3.6 104
- Figure 4.3.7 104
- The MIDI Clip Properties 105
- Figure 4.3.11 106
- Figure 4.3.12 107
- Figure 4.3.13 107
- Figure 4.3.14 107
- Figure 4.3.15 108
- Figure 4.3.16 109
- 4.4 : The MIDI Editor 110
- Figure 4.4.2 111
- Figure 4.4.3 111
- The Velocity Editor 112
- Editing Controller Events 113
- Step Entry 114
- Figure 4.5.1 115
- Figure 4.5.2 116
- 4.6 : Audio Clips 117
- Figure 4.6.2 118
- Figure 4.6.5 119
- Figure 4.6.3 119
- Figure 4.6.4 119
- Figure 4.6.7 120
- Figure 4.6.6 120
- Figure 4.6.8 121
- 4.7 : Looping Clips 122
- Looping MIDI Clips 123
- Figure 4.7.4 124
- Figure 4.7.5 125
- Figure 4.7.7 125
- Figure 4.7.6 125
- Figure 4.7.8 126
- Chapter 5: Recording 127
- Figure 5.2.1 129
- Figure 5.2.3 129
- Figure 5.2.2 129
- Normal Recording Mode 130
- Punched Recording Mode 131
- Looped Recording Mode 131
- Step Recording Mode 132
- And Snap To Grid 133
- Signatures 134
- Figure 6.2.2 135
- Figure 6.2.3 136
- Figure 6.2.4 137
- Figure 6.2.5 137
- Figure 6.3.1 138
- Figure 6.3.2 138
- Figure 6.3.3 139
- Figure 6.3.4 139
- Figure 6.4.1 140
- Figure 6.5.1 141
- Working With MIDI Clock 142
- Working With MIDI Timecode 142
- MIDI Machine Control (MMC) 143
- Figure 6.7.2 144
- Figure 6.7.1 144
- Chapter Contents 145
- Figure 7.2.1 146
- 7.3 : Mix Automation 147
- Figure 7.3.2 148
- Figure 7.3.3 148
- Figure 7.3.4 Figure 7.3.5 148
- Figure 7.3.6 148
- Figure 7.3.7 148
- Figure 7.3.8 149
- Figure 7.3.9 149
- Figure 7.3.10 150
- Figure 7.3.11 151
- Figure 7.3.13 152
- Figure 7.3.12 152
- Figure 7.3.14 153
- Figure 7.3.15 153
- Figure 7.3.16 154
- The Automation Button Options 155
- 7.4 : Using Control Surfaces 156
- Figure 7.4.1 157
- Figure 7.4.2 157
- Figure 7.4.3 158
- Figure 7.4.4 158
- Figure 7.4.5 159
- Figure 7.4.6 160
- Figure 7.4.7 161
- Figure 7.4.8 161
- Figure 7.4.9 162
- Figure 7.4.10 163
- Figure 7.4.11 164
- Figure 7.4.12 165
- Figure 7.4.13 165
- Using The Mackie C4 166
- Using the Remote SL 169
- And Rendering 172
- Figure 8.1.1 173
- Figure 8.1.2 174
- 8.2 : Exporting Audio 175
- Figure 8.2.2 177
- 8.3 : Exporting MIDI 178
- Rendering Tracks 179
- Freezing Tracks 180
- Figure 8.5.1 181
- Figure 8.5.2 181
- Figure 8.6.1 182
- Chapter 9: Rack Filters 183
- Figure 9.1.2 184
- The Rack Filter Editor 185
- Figure 9.2.2 186
- Figure 9.2.3 186
- Building A Rack By Hand 188
- Figure 9.3.3 189
- Figure 9.3.4 189
- Figure 9.3.5 190
- Figure 9.4.1 190
- Figure 9.4.2 191
- Figure 9.4.3 191
- The Track Spanning Approach 192
- The Modular Approach 193
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