Mackie Digital 8Bus D8B v5.1 Bedienungsanleitung Seite 112
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D8B Manual • Chapter 4 • page 106
❏ Assign MIC/LINE bank channels to desired tape
tracks.
❏ Place tape inputs in record/ready to verify signal
at machine.
It’s typically best to monitor signal from the
multitrack rather than from the channel input.
Modular Digital Multitrack
Record Ready Buttons
❏ If levels on the multitrack appear too hot or cold,
adjust level with the LEVEL TO TAPE control.
Select TRACKING LEVEL. This sets the channel
V-Pots to adjust the D8B output level to tape.
❏ If you want to monitor from the multitrack,
remove the MIC/LINE Bank from the L/R mix.
This has no effect on the output to tape.
❏ Adjust control room monitor mix from TAPE IN
Bank. Verify channel assignment to the L/R bus.
❏ Set levels in headphone system for musicians.
Aux 9/10 and 11/12 are perfect for stereo
headphone sends. It’s often convenient for the
musicians to, at first, monitor the L/R mix in the cue
section (PHONES/CUE MIX 1 and 2). Once the initial
L/R mix is established, copy it to the appropriate
cue, then customize for individual monitoring needs.
TAPE IN Bank
- ’S MANUAL 1
- S MANUAL 1
- SAFETY INSTRUCTIONS 2
- Statement of Conformity 3
- Table of Contents 4
- Getting Ready 9
- Introduction 10
- PARALLEL 11
- KEYBOARD 11
- Optional Refreshments 12
- A New Way of Thinking: 13
- Four Consoles in One! 13
- Fader Bank Selection 14
- ASSIGNMENT 15
- Signal Routing Concept 16
- Signal Flow 18
- Tracking/Routing 19
- Monitoring 19
- Figure 1-6 D8B Block Diagram 20
- D8B OUTPUT SECTION 21
- X2 LEFT AND (RIGHT) 21
- Specifications 23
- Physical Dimensions 24
- Updating Software 25
- Where Is It? 27
- 1 Analog I/O (AIO•8) 28
- 2 Apogee Digital I/O (DIO•8) 28
- AUX OUT Section 30
- Remote CPU Description 31
- Control Surface Functions 32
- Master Section Description 34
- Master V-Pot Section 35
- V-Pot Assign Section 36
- DIGITAL TRIM 37
- Talkback Mic 37
- CHANNEL Select Display 38
- Fat Channel Display 38
- V-Pots and SELECT buttons 38
- PREVIOUS and NEXT arrows 38
- STUDIO/SOLO 39
- CONTROL ROOM 40
- SPEAKER LEVEL 40
- CUT/ZERO SET 41
- CLIPBOARD 41
- Master L–R/Shortcuts Section 42
- Bus Assignment Section 42
- Automation Section 42
- Session Setup Section 44
- Transport Section 45
- BEATS LOOP 46
- POSITION 46
- What’s On TV? 47
- Using the Graphic 48
- User Interface (GUI) 48
- Quick Select Fat Channel 49
- Point and Click Aux Sends 50
- Quick EQ 51
- Digital Trim 52
- Level To Tape 52
- Multitrack Direct Outs 52
- The Master Strip 53
- The Feedback Loop 53
- Signal Path (INSERTS) 55
- May I See A Menu Please 57
- Reset Template 58
- The Desktop Window (Ctrl+D) 58
- The Edit Menu 59
- The Channel Menu 62
- Open Channel… 63
- Save Channel As… 63
- Group… (Ctrl+G) 64
- Channel Link… (Ctrl+L) 64
- Unlink (Ctrl+U) 65
- Faders to Unity (Ctrl+]) 65
- Faders to Off (Ctrl+[) 65
- Adjust Channel Delay… 65
- The Options Menu 66
- Automation Sub-menu 67
- Transport Sub-menu 67
- Meters Sub-menu 68
- Faders to Tape 68
- Use Nine Pin Control 68
- The Plugins Menu 69
- Basic MFX Use Procedure 70
- Basic UFX Use Procedure 70
- Shortcut to Plug-in Windows 70
- Plug-ins Selector 70
- The Windows Menu 71
- Hot Keys 72
- Close All (Ctrl+\) 72
- The Setup Window (Ctrl+1) 72
- Tape Banks 74
- Stereo I/O 74
- Licensing 74
- The Snapshot Window (Ctrl+2) 77
- The Surround Window (Ctrl+3) 79
- • Undo previous action 82
- The Locator Window (Ctrl+4) 83
- Page and Back Pull-downs 85
- • 4 Band Parametric 90
- • 20/20 EQ 90
- • British EQ 90
- • British H/P 90
- The Panning Window (Ctrl+7) 95
- The Faders Window (Ctrl+8) 96
- Track Sheet (Ctrl+T) 98
- Erase UFX Memory 100
- Upgrade UFX Cards 100
- Applications 101
- Setting Up for a Session 102
- Setup Window 103
- Connections for DA-88 105
- Connections for ADAT 105
- Installation of FX Cards 106
- Installation of I/O Cards 107
- Input source 108
- The Fat Channel 108
- Signal Routing 108
- Connecting TASCAM (TDIF) 109
- Multitrack(s) 109
- Connecting TDIF Digital 109
- Multitrack Recording 110
- Multitrack Tracking Checklist 111
- Modular Digital Multitrack 112
- Record Ready Buttons 112
- PHONES/CUE MIX 1 113
- PHONES/CUE MIX 2 113
- Sample Tracking Setup 114
- Vocal Enhancer 115
- Stereo Effects 115
- Procesor 115
- Mixdown Setup 116
- Sample Mixdown Setup 117
- Effects/Plug-ins 118
- Setting Up Plug-ins 119
- Dynamics and EQ Applications 120
- Digital 8•Bus 121
- MIDI SYNC 121
- Word Clock and the D8B — 122
- The Kitchen Sync 122
- Sync Hub 123
- That Is the Question 125
- D8B–HDR24/96 Setup 126
- TDIF Hookup with DIO•8 127
- Digital 8 127
- HDR 24/96 127
- (DIO•8 or OPT•8) 128
- Digital•8 Bus 129
- AES/EBU Hookup with PDI•8 130
- Cabling and Hookup 131
- Settings 131
- BRC and ADATs 132
- MASTER OUT 133
- BUS OUT 1-8 133
- Other Notes 137
- MIDI Interface 139
- Post-Production Setup 142
- Using Basic Automation 143
- Set Default Levels… 144
- Auto Touch Mode 144
- Write Ready Mode 145
- Trim Levels 145
- Automation Start-up Procedure 146
- Appendices 147
- Appendix A 148
- Troubleshooting Guide 149
- Appendix B 150
- IVL Vocal Studio 150
- Control Mode 151
- Edit–Harmony Ensemble 151
- Operation–Harmony 152
- The Harmony Control Modes 154
- SmartChord 155
- SmartKey 155
- The Difference 156
- Pitch Shift 156
- What is Pitch Corrector Mode? 156
- What are the Controls? 156
- Appendix C 158
- Deactivating the Plug-in 159
- Dynamic Real Time 160
- Event Based 160
- FX Routing 161
- GUI Control 162
- Pot Assigned 162
- The FX Return Channel 163
- 3-Band Parametric EQ 164
- Effects Type 164
- Ping Pong 165
- Appendix D: Shortcuts 166
- Transport Functions 167
- ODDS ’N’ ENDS 168
- Appendix E 169
- MIDI Implementation Guide 169
- Appendix F 170
- HUI Mode 170
- Connections 171
- Operation 171
- For Pro Tools 174
- For Nuendo 176
- For Cubase SX 178
- For DP3.1 180
- For Soundscape 182
- For Logic 6 184
- Appendix G 186
- Compatible Cables 186
- Other Cables 187
- Colophon 197
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