Mackie D.2 - FIREWIRE CARD Bedienungshandbuch PDF herunterladen (Seite 14)

d.2 DJ Mixer

d.2 2-channel DJ Mixer

Control Section

32. MAIN LEVEL

Control

This knob adjusts the

main output level at the

MAIN OUT XLRs [9]

(and to the RCA Main

Outs [11] when the

LIVE/RECORD switch

[12] is out). (Remem-

ber, when the LIVE RE-

CORD switch is pushed

in, the RCA Main Outs

are not affected by the

MAIN LEVEL control.)

33. BOOTH LEVEL

Control

This knob adjusts

the output level at the

BOOTH outputs [8].

34. STEREO/MONO Switch

With this switch up, the BOOTH outputs [8] provide

a stereo left and right output of the main mix. Push the

switch in to combine the left and right signals to mono if

you only have one booth monitor speaker.

35. FX SEND LEVEL Control

This knob controls the amount of signal being sent to

FX SEND outputs [6]. Adjust this knob to provide an

appropriate input signal level to your external effects

processor (or whatever you have connected to the FX

SENDs). It ranges from off to +13 dB at maximum.

Note: The FX SENDs are affected by the TRANSFORM

switches [40], so if you mute a PGM channel with the

TRANSFORM switch, the FX SEND for that PGM chan-

nel is muted as well.

36. FX RETURN LEVEL Control

This adjusts the signal level coming from your exter-

nal effects processor via the FX RETURN jacks [7]. Use

it to adjust the processed signal going to the main mix

bus. It ranges from off to +13 dB at maximum.

LOW

MID

HIGH

PHONES

BOOTH

MAIN

SOURCE

PAN BAL

LOW

MID

HIGH

LINE/

PHONO

SIG

MIC CONTROL

2PGM

LEVEL

PGM

MAIN

STEREO

MONO

+50+3

+15-15

SOURCE

BAL

LOW

MID

HIGH

LINE/

PHONO

PGM

RLRL

KILL +10

OFF

LEVEL

MAX

LEVEL

MAX

RETURN

+15

SEND

+15

LEVEL

MAX

LEVEL

MAX

LEVEL

MAX

PGM SOURCE

111

48V

37. PHONES LEVEL Control

This controls the volume of the PHONES output from

off to maximum gain.

Turn it to minimum before connecting and

putting on headphones. Increase it slowly to

a safe listening level. See page 17.

38. PGM/MAIN Switch

Use this switch to select the source for the head-

phones signal. When the switch is up (PGM position),

the signal is tapped just after the BAL control [30] on

the PGM channels. You can use the PGM SOURCE cross-

fader [39] to fade between PGM 1 and PGM 2.

When the switch is down (MAIN position), the signal

is tapped from the Main Mix bus, just before the MAIN

LEVEL control [32].

39. PGM SOURCE Cue Crossfader

When the PGM/MAIN switch [38] is up (in the PGM

position), you can use this crossfader to listen to PGM

1 and PGM 2 in the headphones. When the crossfader

is all the way to the left, PGM 1 is heard in the head-

phones. When the crossfader is all the way to the right,

PGM 2 is heard in the headphones. When the knob is in

the center, the headphones get an even mix of PGM 1

and 2.

Note: When the PGM/MAIN switch is down (MAIN

position), this control has no effect on the PHONES

output.

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