Mackie 8-submaster mixer Bedienungshandbuch Seite 56
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54
level up +20
le
ve
l u
p
+
15
le
ve
l u
p
+
15
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
max out +22
max out +22
max out +22
+14 max in
-10 trim dn
MIC INPUT AUX RETURN CH. LEVEL MIX O/P LEVEL OUTPUT
OUTPUT
OUTPUT
MIX
MIX O/P LEVEL
-50 trim up
+22 max in
trim dn
-40 trim up
+22 max in
switch @+4
-12.3 @-10
LINE INPUT
TAPE INPUT
to point (B)
gain up +15
fader up +10
(A) (B)
pan center -3
gain dn -15
(C)
INSERT EQ FADER PAN
SUB INSERT
-6 -6
gain up +15 level up +15 level up +15
gain dn -15
SPLIT EQ CH. LEVEL
MIX B
1-8 from point (C)
L/R from point (D)
-4
to meters
METER FEED (+4 @ O/P = 0 @ METERS)
SUBMASTER or MAIN MIX
CHANNEL
FADER CONTROL ROOM
(D)
level up
fader up +10
L/R bal max out +28
max out +22
1-8 bal/unbal
L/R unbal
from point (A)
AUX SEND
Because Mackie
Designs is always
trying to improve its
products with new
components and
manufacturing
methods, these
specifications may
change at any time.
But you can bet your
left monitor speaker
that the specs won’t
be any worse than
they are here.
APPENDIX D: Specifications
16•8, 24•8, 32•8 Specifications
Noise.(Measured 20Hz to 20kHz bandwidth,
Tape Returns selected, no EQ, Channel Pans
alternating L/R, L/R. “Faders up” refers to Unity
gain, 0dBu position.)
Main L/R Output Noise. Master fader down,
–101dBu; master fader up/no ch.’s assigned,
–95dBu; master fader up/24 chs. assigned,
–90dBu; master fader up/24 chs. assigned, ch.
faders up, –86dBu; +4dB operating level S/N
ratio, –90dBu
Submaster Output Noise. Master fader down,
–99dBu; master fader up/no ch.’s assigned,
–96dBu; master fader up/24 chs. assigned,
–90dBu; master fader up/24 chs. assigned, ch.
faders up, –86dBu; +4dB operating level S/N
ratio, 90dB
Total Harmonic Distortion. (1kHz @14dBu
measured 20Hz-20kHz, mic input, 1 channel as-
signed). Direct output, 0.0013% typical; L/R Mix
output, 0.0014% typical; Submaster output,
0.0015% typical
Crosstalk. (1kHz measured relative to 0dBu,
measured 20Hz to 20kHz.) Line In to Adjacent
Channel, –91dBu; L/R mix output w/channel
down, –95dBu; submaster output w/channel
down, –96dBu; L/R mix output w/channel muted,
–95dBu; submaster output w/channel muted,
–96dBu; L/R mix output w/channel unassigned,
–91dBu; submaster output w/channel
unassigned, –95dBu; L/R mix output w/adjacent
channel assigned, –92dBu; submaster output w/
adjacent channel assigned, –94dBu; L/R mix out-
put pan pot attenuation, –87dBu; submaster
output pan pot attenuation, –87dBu
Frequency Response. +0dB/–1dB, any input to
any output 20Hz to 60kHz; +0dB/-3dB, any input
to any output, 10Hz to 120kHz
E.I.N. Mic input (150Ω termination, 20Hz-
20kHz) –129.5dBm
C.M.R.R. Mic input, max gain @1kHz, –83dBu;
line input, minimum gain @1kHz, –45dBu; tape
input, no gain @1kHz, –45dBu
Maximum Levels. Mic input, +14dBu; all other
inputs, +22dBu; L/R Mix balanced output,
+28dBu, all other outputs, +22dBu
Impedances. Microphone input, 1.5 kΩ; channel
insert return, 2.5 kΩ; all other inputs, 10 kΩ or
greater; all outputs, 120Ω
Equalization. Hi Mid, full parametric, +/-15dB
freq. sweep from 500Hz-18kHz, bandwidth (Q)
variable from 1/12 octave to 3 octaves; Lo Mid,
swept, 45Hz-3kHz +/-15dB; Hi, shelving, 12kHz
+/-15dB; Lo, shelving 80Hz +/-15dB; Lo Cut
(HPF) 75Hz,18dB/octave (Tchebechev)
ADD-ONS
SPECS
ETC.
- LEFT/RIGHT 0
- AUX SENDS 1
- FUNCTION 3
- METERING 4
- STEREO AUX RETURNS 5
- TALKBACK 6
- MASTER OUTPUT) 7
- INPUT STRIP 7
- OUTPUT PANEL 8
- TIP = OUT RING = IN 9
- REAR PANEL 10
- CONNECTIONS 10
- Tape Returns 10
- Submaster/Tape Outputs 10
- SAFETY INSTRUCTIONS 11
- MAIN BALANCED OUTPUTS 12
- EXPANDER PORT 12
- DC POWER IN 12
- GENERAL INFORMATION 14
- HI MID Variable 1: Boost/Cut 15
- HI MID Variable 2: Bandwidth 15
- 3 HI MID VARIABLES 15
- LO MID Variable 1: Boost/Cut 16
- 2 LO MID VARIABLES 16
- Connectors 17
- A BIT MORE ON MIX-B/FLIP 17
- SECTION 4: 18
- Wet or Dry Monitor? 19
- RECORDING 19
- TRACKING PART 1: INPUT/OUTPUT 20
- TRACKING PART 2: THE BOARD 21
- IMPORTANT SENSITIVITY 22
- ADJUSTMENT PROCEDURE! 22
- PLEASE! SAVE THE 22
- SHIPPING BOX! 22
- MIXING OVERVIEW 23
- MIXING SETUP 24
- DOING THE MIX 24
- Mono Compressor 25
- OVERDUBBING PART 2: THE BOARD 26
- Noise Gate 27
- 16x8x2 8-BUS MIXING CONSOLE 28
- Power Amplifier 29
- Control Rm Monitors 29
- Tinted buttons 30
- Tinted knobs are used 30
- Using Subgroups 31
- Send / Return Devices 31
- Monitoring and Levels 32
- A Word About Automation 32
- TABLE OF CONTENTS 33
- SECTION 5: 35
- WITH THE MACKIE 8•BUS CONSOLE 35
- 13 14 15 16 37
- HOUSE MIX ONLY or MONITOR MIX 40
- FINDING MORE INPUTS 41
- Channel Insert jack 42
- RCA PLUGS AND JACKS 43
- UNBALANCING A LINE 43
- SPECIAL MACKIE CONNECTIONS 43
- SECTION 1: Introduction 44
- Insert Jacks 45
- Whatever 45
- MULTS AND “Y”s 45
- APPENDIX C: Modifications 47
- II. PFL mod 48
- III. Mix-B Source mod 48
- IV. Mix-B Mute mod 49
- V. AUX 1/2 Source mod 50
- APPENDIX D: Specifications 51
- 16x8x2 8-BUS MIXING CONSOLE 52
- 24x8x2 8-BUS MIXING CONSOLE 53
- 32x8x2 8-BUS MIXING CONSOLE 54
- MB•E Optional Meter Bridge 56
- 220-WATT POWER SUPPLY FOR 57
- 8•BUS CONSOLES & EXPANDER 57
- 8•BUS SIDE CAR RACK 58
- How to get Mackie service 59
- To obtain factory service: 59
- Troubleshooting 59
- Mackie Service Center: 60
- TRACK SHEETS 62
- Page _____ 63
- Hey buddy can 65
- –20 AND OL LEDs 66
- CHANNEL SOLO 66
- PHANTOM POWER 66
- MIC/LINE SWITCH 66
- 8•BUS CONSOLE 69
- BLOCK DIAGRAM 69
- SUB MASTER 1 & 2 70
- AUX SEND 1 70
- AUX SEND 3 70
- Mackie Designs Inc 71
- MIX-B / MONITOR 72
- EQ SECTION 73
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