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Owner's Manual 25

53. DESTINATION: PHONES, AUX 1-4

Push in the phones switch to route the talkback signal

to the headphones. Use this to communicate with the

talent in the studio through the headphones during a

recording session. When the talkback circuit is

activated by pushing the talkback [54] switch, the

control room outputs [12] are attenuated to allow your

voice to come through clearly.

The aux 1-4 switch routes the talkback signal to the

aux send 1-4 outputs [6]. Use this to communicate with

the musicians through their stage monitors when you

are setting up a live performance.

It is ﬁne to have both destination switches pushed in

at the same time, so the talkback signal will be routed

to both destinations. But if you don’t have either of the

destination switches pushed in, the talkback signal

won’t go anywhere. You might as well be talking to a

brick wall.

54. TALKBACK Switch

This is a momentary switch, and as long as you hold

it down, talkback is activated. You can talk into the

built-in microphone and be heard in the headphones

and/or stage monitors.

Release the switch so you can talk about the band

without them hearing you.

Main Mix

55. MAIN MIX

This stereo fader allows you to adjust the levels of the

main mix signals sent to the XLR and 1/4" main line-

level outputs [4, 13], and the tape outputs [16].

This gives you the ultimate feeling of power and

control over the sound levels sent to your audience. If

you press the main mix switch [37], you can see the

main mix levels in the meters [42]. Adjust this control

carefully, with your good eye on the meters to check

against overloading, and your good ear to the levels to

make sure your audience (if any) is happy.

This fader does not affect the aux send outputs [6],

alt 3-4 outputs [14], or the main mix FireWire outputs

15-16. It affects the control room or headphones if the

main mix switch [37] is engaged.

The main mix signals are off with the fader fully down,

the “U” marking is unity gain, and fully up provides 10

dB of additional gain. This additional gain will typically

never be needed, but once again, it’s nice to know that

it’s there. The fader is stereo, as it affects both the left

and right of the main mix equally. This is the ideal

control to slowly bring down at the end of a song (or

quickly in the middle of a song if the need ever arises).

56. ASSIGN TO FW 15-16

This switch allows you to assign the left and right

main mix to FireWire outputs 15 and 16. For example,

you can record the live performance main mix onto your

computer. This does not affect the analog main mix

outputs.

The output level to your computer is not affected by

the main mix fader [55].

When this switch is disengaged, then mixer channels

15 and 16 are assigned to FireWire outputs 15 and 16

instead.

Congratulations!You’vejustreadaboutallthe

features of your mixer. Time for a frosty beverage.

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