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High Quality Podcast Recording
Version 1.2, August 25, 2013
Markus Völter
Abstract
A good podcast comes with great content as well as great audio quality.
Audio quality is as important for podcast as is layout, style, and formatting
for documents. Just as these parameters influence readability, audio quality
influences listenability. If you want to get a decent-sized audience as
well as (potentially) interesting guests you have to make sure your content
is presented adequately. Audio quality is an important ingredient here.
Note that today most well-known podcasts have really high production
value, including professional audio quality. Some of the podcasts describe
the equipment and the recording process, most don't. This document
describes omega tau podcasts approach to recording decent quality audio .
While it is not as professional as what Leo Laporte does [1], is also much
more affordable. I hope this helps new podcasters get up to speed faster
than I !
Environment
The most important ingredient to good audio quality is the quality of the
raw audio. An important parameter here is the environment in which you
record. Obviously, it should be as quiet as possible. That also means that
you should make sure your computer does not produce excessive
ventilation noise. There are silencer kits, although I don't use any of these.
The next important consideration is the dryness of sound. The sound is dry
if it has no echo or other effects applied to it. For the recording this means
you should try to avoid any echo whatsoever. This is surprisingly hard to
achieve outside professional studios. An office room with lots and lots of
books and carpet and stuff is a good start. The inside of cars is also good!
You can also use specific dampers to achieve this effect. For example, I use
a couple of HOFA audio absorbers [2] to dry up my voice.
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Inhaltsverzeichnis

Seite 1 - Environment

High Quality Podcast Recording Version 1.2, August 25, 2013 Markus Völter ([email protected]) Abstract A good podcast comes with great content a

Seite 2 - Recording Equipment

[11] http://www.zoom.co.jp/english/products/h4n/ [12] http://www.akg.com/site/products/ powerslave,id,984,pid,984,nodeid,2,_language,EN.html

Seite 5 - Recording from the Telephone

More recently, I am also playing with putting an old mattress behind me when recording. Apart from just sounding better, not having an echo on

Seite 6 - Postprocessing

These devices have a couple of features that improve the sound of voice. The specific settings require some tweaking. It is imp

Seite 7

I use the Onyx FireWire plug-in [8] to feed the audio from the mixer into the PC on which I record. Note that this device feeds every

Seite 8

machine, especially the thing about a dedicated fixed port (which avoids intermediaries in the packet transport) seems to be very impor

Seite 9 - References

More recently I got a Roland R-44 [16]. It has four microphone inputs, so we can record conversations with more than one guest or one interview

Seite 10 - Appendix 1: Wiring

environments where podcasts are often consumed. Let's look at an example. Here is the waveform of a raw recording. Notice the diffe

Seite 11 - Normal Setup

I then use the limiter to cut away everything above a certain dB limit. Depending on the raw material this can be anywhere between -3 and -15 dB.

Seite 12 - Telephone Recording

Mixdown There's not much to consider during mixdown. If you use the postprocessing approach shown above for all the constit

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